The University of British Columbia
UBC - A Place of Mind
The University of British Columbia Vancouver campus
Arts One Open
  • About
    • People
  • Themes
    • Repetition Compulsion
    • Remake/Remodel
    • Explorations and Encounters
    • Monster in the Mirror
    • Dangerous Questions
    • Borderlines
    • Hopes and Fears
  • Lectures and Podcasts
    • Lectures
    • Podcasts
  • Texts
  • Blog posts
    • Seeing & Knowing LB1 (2015/16)
    • Seeing & Knowing LB3 (2015/16)
    • Seeing & Knowing LB4 (2015/16)
    • Repetition Compulsion LB1 (2014/15)
    • Repetition Compulsion LB4 (2014/15)
    • Repetition Compulsion LB5 (2014/15)
    • Remake/Remodel LB3 (2013/14)
    • Remake/Remodel LB4 (2013/14)
    • Remake/Remodel LB5 (2013/14)
    • Monster in the Mirror LB1 (2012/13)
    • Monster in the Mirror LB2 (2012/13)
    • Public
    • All
  • Twitter

The Tempest: Shakespeare’s Dynamic Duos

It’s no secret that Shakespeare favours the dynamic duos: From Benvolio & Mercurio (Romeo and Juliet), to Antonio & Bassanio (Merchant of Venice), to even Rosencrantz & Guildenstern (Hamlet), Shakespeare continually strives to break up tension in his tragedies by providing comedic relief. One unique example of this rule: The Tempest.

Though The Tempest is traditionally considered a comedy rather than a tragedy, Shakespeare still uses comedic duos to alleviate tense scenes. However, he does something particularly unique in this play: he provides two sets of comedic relief that parody one other, Antonio & Sebastian versus Trinculo & Stephano.

Many different parallels can be seen between the two pairs. While Antonio and Sebastian provide internal comedic relief via sly comments, Trinculo and Stephano provide external comedic relief via inebriated physicality. In this since, either pair could be mocking the other. The over-exaggerated movements and dialogue of Trinculo and Stephano mimic just how ridiculous and childish Antonio and Sebastian can be, despite nobody noticing their private antics. Similarly, Antonio and Sebastian being so juvenile and idiotic despite their high status lowers them to that of the commoners, also known as “savages.”

Throughout the play, the character of Caliban is frequently referred to as a savage, but he is not the only savage in The Tempest: Antonio and Sebastian could be considered “savage nobles”, while Trinculo and Stephano could be considered “noble savages.” Both pairs attempt to murder the rightful kings, and the deceit by the little brothers Antonio and Sebastian of their older brothers demonstrates how they are no better than the drunken butlers and jesters that are usually deemed the savages. Anybody can be a sh***y person, regardless of socioeconomic status!

We see ourselves in these two dynamic duos: we all crave power that can sometimes drive us to stoop to low level regardless of our intelligence or our place in society. And sometimes, we all just need to have some good ol’ fashioned drunken fun.

Posted in blogs, lb4-2015 | Tagged with Shakespeare, The Tempest

Creative Commons License
Faculty of Arts
Vancouver Campus
East Mall
Vancouver, BC Canada V6T 1Z1
Website artsone-open.arts.ubc.ca
Email artsoneopen@gmail.com
Find us on
    
Back to top
The University of British Columbia
  • Emergency Procedures |
  • Terms of Use |
  • Copyright |
  • Accessibility