Antigone
It is not always entirely clear who (if anyone) or what is the tragic hero(ine) in Sophocles’s Antigone, or what exactly is the nature of their tragedy. One might have thought that the tragic figure was the eponymous Antigone herself, … Continue reading →
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Foe
As part of the Arts One Digital initiative (which I’ve mentioned before, we’re recording various lectures delivered as part of UBC’s “Arts One” program. You can see for instance my lecture on J M Coetzee’s Foe here, in various formats. … Continue reading →
Watchmen
Alan Moore and Dave Gibbons’s Watchmen offers something of a counter-factual history of the Cold War. In particular, it imagines the central role of two generations of masked do-gooders: a 1940s cohort of “Minutemen,” most of whom are somewhat ephemeral … Continue reading →
Felisberto Hernández
The Wednesday quotation, part XIX: I’ve been reading Felisberto Hernández, a very striking Uruguayan writer from the first half of the twentieth century who is practically unknown, especially in English. Some of his short stories have been translated, in a … Continue reading →
“The Yellow Wallpaper”
Charlotte Perkins Gilman’s “The Yellow Wallpaper” is preoccupied above all with the secret and mysterious life of things. It’s concerned with the human and the non-human, and the surprisingly porous line between them. The narrator takes for granted that things … Continue reading →
“The Metamorphosis”
Perhaps the oddest thing about Franz Kafka’s celebrated short story, “The Metamorphosis,” is how stubbornly it resists the notion that it is an allegory or extended metaphor. Though dreams are invoked in the very first line–“Gregor Samsa woke one morning … Continue reading →
The Waste Land
The final stanza of T S Eliot’s The Waste Land encapsulates much of what has gone before. It comprises four languages, multiple allusions, abrupt transitions and changes in register and tone: London Bridge is falling down falling down falling down … Continue reading →
The Prince
For a political writer renowned for his commitment to realism–to real politik, indeed–it’s remarkable, and surely significant, that Niccolò Machiavelli should open and close The Prince with a couple of extended metaphors. The resort to literary tropes frames what is … Continue reading →
Civilization and Its Discontents
Like Nietzsche in On the Genealogy of Morals, Sigmund Freud in Civilization and Its Discontents is interested in the puzzling fact that ultimately we are our own worst enemies. However hostile life may be–and in Freud’s vision of things, life … Continue reading →
Jekyll and Hyde
Jekyll and Hyde have become a byword for the notion of mankind’s dual nature, the good and the bad, the virtuous and the immoral. At times the text seems to support this reading: Henry Jekyll’s “Full Statement of the Case,” … Continue reading →