Throughout expressionist films, the common theme when viewing in the light of architecture portrays similar aspects. The sets and scenes of these films tend to use buildings with sharp angles, heights, crowded atmospheres and a view of a metropolis. However, German expressionist films rejects all these naturalistic depictions of reality. Often having disorientated figures and portraying landscapes in a disorganised manner.
An example of this can be seen in The Cabinet of Dr. Caligari. Classified as one of the classic German expressionist films during the time. Hermann Warm, the film director, worked with Walter Reimann to create the setting of the film portraying dark and uncanny sets, structures and landscapes are disorientated with sharp-pointed formations.
It is evident that German expressionist films produced immediately after the First World War holds concepts of the social political contexts, however, embodying modern problems of identity. The role of identity can be further explained seen in German society. The role of masculinity during the time after the world war played a significant role in the ideas displayed in expressionist films through the role of insanity and promiscuity in male actions. This can be explained through the changes in society and the increasing importance of the role of women in the country.
